There are days that feel painted rather than lived.
Not dramatic, not loud — just softly colored, like a brush dipped in silence.
At the Musée d’Orsay, time folds.
The faces on the walls watch back with patience.
Monet breathes light into air,
Van Gogh turns pain into rhythm.
You stand still long enough for the noise in your head to fade —
and realize art is not about what you see,
but what it leaves behind once you’ve looked away.
A Slow Kind of Morning
Later, at Angelina or The Coffee, the city feels slower.
The marble, the warmth, the hum of conversation.
There’s a kind of stillness that follows days of running —
and in it, a recognition:
beauty doesn’t need to arrive with grandeur.
Sometimes it’s a glance across the table,
a smile caught mid-thought,
the scent of espresso cooling beside an open notebook.
The page absorbs everything the camera can’t —
what remains unspoken between sips and sighs.
The Light That Paints You Back
As night returns,
the café lamps flicker like little suns.
Your reflection on the window mixes with the city lights —
and for a moment, you belong to both.
Paris outside,
you inside,
meeting halfway in the glass.
That’s what this trip has become —
a dialogue between what’s seen and what’s felt.
Between the painting and the pulse.
Shot on Apple iPhone and Moment.
Accompanied and filmed with @_densalinas.
With @milesandlouie and @loesencialmx.
At @museeorsay and @thecoffee.fr.





































