Part VII

Some days, the city feels less like a place and more like a reflection —
a surface that changes depending on how you look at it.

The light moves differently now.
It doesn’t fall on things; it wraps around them.
There’s something softer in its presence — as if it finally knows what to illuminate.

And maybe that’s what this part is really about:
the moments when what you see begins to align with what you feel.

Seeing Through Silence

The frame lingers on glass, on shadows, on reflections —
not to show detail, but to reveal perception.

@ecleptic_eyewear becomes a metaphor here.
It’s not just vision; it’s the act of re-seeing —
of realizing that clarity isn’t always sharpness.
Sometimes it’s a blur that makes sense only when you stop resisting it.

The city hums in low frequencies.
A car passes.
A breeze folds the sound of a distant conversation.

It’s not noise. It’s texture.

Between Two Frequencies

Filming with @milo.cura feels different this time —
our movements slower, our instincts more synchronized.

We’ve stopped trying to capture what’s beautiful.
We’re looking for what’s true.

Every frame feels suspended —
caught between awareness and surrender,
between documenting and simply existing.

With @milesandlouie

There’s structure again —
the quiet discipline of @milesandlouie,
pieces that remind me of what balance looks like when the world is too loud.

Their presence in this sequence is architectural —
measured, composed, subtle in its authority.

This isn’t about showcasing a product;
it’s about showing how elegance behaves when it’s lived,
not staged.

By now, I’ve stopped looking for direction.

Light becomes enough.
Movement becomes prayer.
Silence becomes narrative.

Part VII is less a continuation and more a breath —
the inhale before the next act begins.

Shot on Apple iPhone and Moment.
Accompanied and filmed with @milo.cura.
With @milesandlouie and @ecleptic_eyewear.

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Part VI

There’s a certain quiet that follows familiarity.
A stillness that doesn’t demand attention,
but asks for presence.

This part isn’t about new cities or new faces —
it’s about returning to the same streets,
the same light,
but seeing them differently.

Sometimes the camera isn’t looking for stories.
It’s waiting for one to arrive on its own.

The Texture of Motion

The sound of leather against skin.
The glint of a buckle catching the late sun.
The slow echo of steps across uneven pavement.

Every detail feels deliberate —
not because it was planned,
but because it was lived.

@porfirioleather becomes part of that rhythm.
Its craftsmanship speaks in low tones —
of patience, of touch,
of how the human hand still defines elegance better than any machine.

Between Companionship and Solitude

Filming again with @milo.cura feels like a continuation,
a conversation left open from the previous frame.
We move through the city as two silhouettes,
sometimes speaking, sometimes not.

Silence between us has become part of the language.
The way we film mirrors the way we exist —
present, observant, unhurried.

With @milesandlouie

The pieces from @milesandlouie bring subtle tension to the image —
a reminder that even restraint can have personality.
They exist in the in-between:
neither loud nor invisible,
just quietly confident in their permanence.

That’s the kind of beauty that interests me now —
not the kind that demands space,
but the one that creates it.

If Part V was about echo,

then Part VI is about weight.
Not heaviness — but gravity.

The kind that keeps you grounded
even when everything else is moving.

Every frame in this part carries that sensation:
of something invisible anchoring you
while the world keeps unfolding.

Shot on Apple iPhone and Moment.
Accompanied and filmed with @milo.cura.
With @porfirioleather and @milesandlouie.

View this post on Instagram

A post shared by Alex Lara (@iamalexlara)