Every trip has its A side — the quiet mornings, the structured images, the poetic control of light.
But there’s always a B Side.
The version of the journey that happens when you stop composing and start living inside the frame.

This is that version.
A city caught between golden façades and dim red bars.
The moments that don’t make it into reels or scripts — only into memory.

Accompanied and Shot With @milo.cura

As with the main sequence, this part was accompanied and shot with @milo.cura.
But here, the collaboration loosens — it’s more improvisation than composition.
A shared lens through laughter, through the motion of trains, through glasses raised mid-conversation.

It’s a study of how presence looks when the camera stops being deliberate.

Featuring

With: @loesencialmx · @porfirioleather · @mujjostore · @ecleptic_eyewear · @milesandlouie

These details — a leather jacket, a pair of glasses, the texture of a bag —
become part of the story not as products, but as witnesses.
Each one absorbing the rhythm of the night,
each one holding a fragment of what it felt like to simply be there.

Shot on iPhone and Moment

Everything was shot on iPhone with Moment lenses,
a mix of stills and motion that leans into imperfection.
Some images blur, some are oversaturated —
but that’s the point.

The B Side doesn’t strive for clarity.
It thrives in the noise,
in the half-light where life stops posing and starts happening.

If the main chapters were about observing,

this one is about dissolving.

About being both subject and spectator —
caught between architecture and laughter,
between frame and feeling.

Part 3 — B Side.
Shot on Apple iPhone and Moment.
Accompanied and filmed with @milo.cura.